In Sunlight, in a Beautiful Garden is the story of a bittersweet romance set against the backdrop of the Johnstown, Pennsylvania, flood -- a tragedy that cost some 2,200 lives when the South Fork Dam burst on Memorial Day weekend, 1889. The dam was the site of a gentlemen's club that attracted some of the wealthiest industrialists of the day -- Henry Clay Frick, Andrew Mellon, and Andrew Carnegie -- and served as a summertime idyll for the families of the rich. In Sunlight, in a Beautiful Garden imagines the lives that were lived, lost, and irreparably changed by a tragedy that could have been averted.
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Cambor excels at depicting both the minor joys and the major tragedies in her characters' lives. Frank Fallon and his wife Julia, for example, have lost both of their children to diphtheria:
It meant something to Julia to be the one to wash the bodies before the undertaker came. To leave Caroline's sickbed long enough to tend to her two younger children. To fill the basin with water warmed by the wood stove, to smooth the hair, to touch and trace their flesh one last time, memorizing them again, as she had right after she had birthed them. Touching toes, chin, the curled cusp of ear, the rounded mound of cheek, the dips and promontories of their supple spines. Frank couldn't bring himself to watch.Devotees of the historical novel will warm to Cambor's judicious use of period detail and her exacting prose, but may wish she had placed less emphasis on foreshadowing. We are told one too many times that the privileged men who built the dam had no interest in its structure or safety: "Someone should have been watching." On the other hand, Cambor has the good narrative sense to confine the flood itself and its horrific aftermath to the final pages of the book. There we are also given a glimpse of Nora Talbot in later life, marked by her youthful love affair with Daniel and by the waters that were--in every sense of the phrase--to part them. --Regina Marler
Kathleen Cambor is the author of The Book of Mercy, which was a finalist for the PEN/Faulkner Prize and was awarded the Janet Heidinger Kafka Prize for Excellence in Fiction by an American Woman. For her work on In Sunlight, in a Beautiful Garden, she was awarded the 2001 Guggenheim Fellowship. From 1997 until the end of 2000, she directed the Creative Writing Program at the University of Houston. She is at work on her third novel and lives with her husband in Houston, Texas.
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