BALLAD OF A SMALL PLAYER, THE - Softcover

LAWRENCE OSBORNE is the author of the bestselling novel The Forgiven and six books of nonfiction. His short story "Volcano" was selected for Best American Short Stories 2012, and he has written for the New York Times Magazine, the New Yorker, Forbes, Harper's, and several other publications.

A New York Times 100 Notable Books of 2014 
A New Yorker Best Book of 2014
An NPR Best Book of the Year
Selected as one of Kansas City Star's 100 Best Books of 2014

“Slim but insistent...A vivid and feverish portrait of a soul in self-inflicted purgatorio.”—Tom Shone, New York Times Book Review

“Osborne, a travel writer, renders the atmosphere of casinos, hotels, and restaurants seductively...[and] shows an impeccable facility for capturing the sweat-soaked suspense of the high-stakes card table.”—New Yorker

“Hypnotic...Macau and Hong Kong feel vivid and true in the novel, yet also otherworldly: Well-known landmarks and weather conditions are captured with a stillness and beauty that make them feel haunting and melancholy...But ultimately it is the uncertain fate of Doyle and the others that made me as a reader feel strangely fulfilled. The decisions they make seem connected to the thrilling and terrifying changes taking place around them. Old ways collide with a brash new world, and in this game, it is not yet clear which will emerge the winner.”—Tash Aw, for All Things Considered

“Haunting...A captivating story about the nature of addiction, the power of the supernatural and the freedom that may come from throwing everything to chance.”—NPR

“Elegantly told...The beauty of this novel is in the elegance and precision of its prose, which renders the glaring kitsch of Macau into a series of exquisite miniatures, and draws on Osborne's reserves as a travel writer.”—The Guardian

"A searing portrait of addiction and despair set in the glittering world of Macau's casinos...Osborne's intriguing Chinese milieu and exquisite prose make this work as a standout."—Publishers Weekly (starred review)

“Osborne masterfully recreates the atmosphere of casinos as well as the psychology of baccarat players—and leaves readers eager to try their luck at the game.”—Kirkus 

"[Osborne's] darkly introspective study of decline and decay conjures apt comparisons to Paul Bowles, Graham Greene, and V. S. Naipaul."—Booklist

“Osborne’s The Forgiven, an Economist Best Book of the Year (and one of my personal Bests from last year, too), is as brilliant, unsentimental a rendering of contemporary East-West conflict and the imperfect human psyche as you are likely to find. His new work proceeds in that tradition...Don’t miss”—Library Journal

“A modern Graham Greene... Osborne is a thrilling, exceptional talent in British fiction’s landscape.” —Sunday Times (UK) 

“Unavoidable comparisons will be drawn with Graham Greene’s work...[Osborne] has a masterful touch with creating mood, and a swirling, world-weary foreignness pervades the story. The Ballad of a Small Player is a layered work, a novel about addiction, love and class but given an allusive face by the way it perches constantly on some supernatural brink.”—Irish Examiner

 
Praise for Lawrence Osborne's The Forgiven
 
Selected by The Economist as one of the Best Books of the Year 2012

Selected by Library Journal as one of the Year's Best Books 2012

Year's Best Books Chosen by Writers, selected by Lionel Shriver, The Guardian 2012
“A sinister and streamlined entertainment in the tradition of Paul Bowles, Evelyn Waugh and the early Ian McEwan....This is a lean book that moves like a panther. Even better, Mr. Osborne has a keen and sometimes cruel eye for humans and their manners and morals, and for the natural world. You can open to almost any page and find brutally fine observations....surprising and dark and excellent.”
– New York Times

“Extraordinarily acute to human nature....Stylishness holds the book together, and makes all the bits of plot machinery feel new again....There are enough ways to read the book that one finishes it and immediately wants to start it again.”
– Newsweek

“A perfect storm of a novel.” – Fredericksburg Freelance Star

"A master of the high style" – The Guardian

"Osborne writes mercilessly, savagely well. He excavates his characters, and the centuries-long cultural rift between the desert people and the Western infidels with a pathologist’s precision, wrapping fear, boredom, forgiveness, judgment, honour and sexual attraction into a novel that plunges with sinister pace towards its denouement." – The Daily Mail

"Brooding, compelling...There’s a strong, almost old-fashioned moral force at work in Osborne’s novel... At the novel’s dramatic close, you could accuse Osborne of forcing the hand of moral come-uppance just a little too much — but it barely detracts from the tension he has maintained throughout the novel, and the pleasure of his bringing under such scrutiny the unpredictable behaviour of his morally tortuous characters." – The London Sunday Times

“With nods to Paul Bowles and Evelyn Waugh, Osborne portrays the vacuity of high society as gorgeously and incisively as he does the unease of cultures thrust together in the unforgiving desert.” – Publishers Weekly (starred)

“Osborne comes up with an ending that’s at the same time ironic, surprising and completely fitting. A gripping read with moral ambiguity galore.”
– Kirkus Reviews (starred)

“[A] brilliant, unsentimental rendering of contemporary East-West conflict and the imperfect human psyche....Osborne has done an extraordinary job of capturing moral complexity, never letting his characters or his readers off easy. The result should be grim reading, but instead it’s vivifying. Highly recommended.”
– Library Journal (starred)

“In the desert, all life and emotions are stripped to their very core. In his elegant and incisive second novel, travel-journalist Osborne hauntingly captures this exposed essence in all its inscrutable mystery and dispassionate brutishness.”
– Booklist Online

“No mere imitation but a contribution to the shelf on which The Sheltering Sky and The Bonfire of the Vanities also sit, The Forgiven explores the clash of two cultures, each of which feels superior to the other. Osborne's writing is uncomfortably well observed; his story is sickeningly, addictively headlong.”
– Lionel Shriver, author of We Need to Talk About Kevin

"The Forgiven shines darkly with a rich and mordant fatalism. Osborne's characters emerge like people in a dream – diamond-sharp but fascinatingly askew. His prose is gorgeous and precise; the story slices keenly through the exotic haze of its setting. It's an absolutely brilliant novel – the ending is a shock in the best way." – Kate Christensen, author of The Epicure's Lament and The Astral

“The prose of The Forgiven has a very particular, knowing luminosity, much like the tarnished world it describes. A beautiful, compelling book to savor line by line.”
– Nikita Lalwani, author of Gifted