Items related to Guide to the Blue Tongue: POEMS (Illinois Poetry Series)

Guide to the Blue Tongue: POEMS (Illinois Poetry Series) - Softcover

 
9780252070501: Guide to the Blue Tongue: POEMS (Illinois Poetry Series)
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Shimmering with saturated color and heat, Guide to the Blue Tongue is an intoxicating sequence of memory poems about growing up in the tropics, threaded through the myth of Caliban from Shakespeare's The Tempest.
 
Caliban is the monstrous native, in love with what he cannot possess, lost to his own sense of identity. In Virgil Suárez's vision, the island of Caliban's imprisonment merges with the island of Cuba, where the carboneros make charcoal and sell it door-to-door by the pound, young boxers crackle with caged energy, dock workers spill like ants out of the bellies of ships, and the rain falls in torrents on corrugated tin roofs. On this island of fire, the Marquis de Sade joins other historical figures to drink absinthe, and J. Edgar Hoover lingers over mojitos and a cigar at the Tropicana Night Club in Old Havana. Hovering behind the hotel shutters or half-concealed behind their masks, the old poets and prophets--Shakespeare, Tiresias, Pablo Neruda--are waiting to speak their passions.
 
Out of this rich imaginative brew, Suárez evokes the mythical and historical landscape of Cuba and distills the "hollow, deep-thudded pangs" of exile's rootlessness, the immigrant's constant longing to be possessed by a sense of place. Steeped in a seductive, incantatory language of desire, Guide to the Blue Tongue gives entry to a place of blue possibility and daily undoing, where the sting of salt-fresh air is compounded by the ache of displacement and loss.
 

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About the Author:
Virgil Suarez is the author of the short story collection THE SOVIET CIRCUS COMES TO HAVANA (C&R Press, 2014), and the book of poems, IN THE REPUBLIC OF LONGING (Bilingual Review Press, 2000). He teaches in the English department at Florida State University.
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Suarez approaches his homeland, Cuba, through the scrim of Shakespeare's The Tempest, conjuring a Caliban wise in the ways of weather who reads history in sunlight and shadow, wood and sand. Scarred, silent, and bedeviled by his unrequited love for the pale, protected Miranda, Suarez's suffering, beachcombing savage merges with the island itself to form the consciousness that flows within these richly descriptive, sometimes melancholy, sometimes surreal lyrics. Adept at creating coded images, Suarez conducts a plangent disquisition into the Caribbean's anguished past within concise musings on the sea, the business of vultures, the lives of palms, and the grim realities of a "ruined river" and a crumbling city. Elsewhere, a man sets out on an inner tube with the impossible dream of reaching Florida, and a boy dives for coins tossed by tourists. The poet remembers watching Godzilla movies in L.A. as a boy, and understanding that for his mother the real monster is "that island in the Caribbean we'd left behind." Suarez's poems of place and displacement are sensual, mythic, and quietly trenchant. Donna Seaman
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9780252027345: Guide to the Blue Tongue: POEMS (Illinois Poetry Series)

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