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Hugely fascinating information impossible to find without devoting an inordinate amount of your life to research, which is clearly what Lyons must have done, fills every page of this tome. In addition to an overview and chronological history of B films noir, Death on the Cheap has a comprehensive filmography with title, date, studio, running time, alternate titles, credits, plot outline, and critique for each film. There is also a chronology of every B noir film (Lyons credits 1939's Blind Alley as the first and reckons 1959 as the end of the genre). Although an unapologetic fan of B noir films, Lyons has no problem warning potential viewers from the really bad ones, and he doesn't exactly make his opinions known in a subtle fashion. Take this example, used to describe Hit and Run, a 1957 movie involving twins, produced, directed, written by and starring Hugo Haas: "Yet another smell-o by Haas.... Haas, of course, had to play the parts of both twins, doubling the pain for the audience."
Lyons, a well-known writer of the superb series of private-eye novels about Jacob Asch, demonstrates that his writing skills remain equally high whether he's writing fiction or nonfiction. Death on the Cheap is one of those rare pleasures, like a box of expensive chocolates that you can dip into any time and discover a genuine treat. --Otto Penzler
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Book Description Condition: New. Buy with confidence! Book is in new, never-used condition 0.65. Seller Inventory # bk0306809966xvz189zvxnew
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Book Description Paperback or Softback. Condition: New. Death on the Cheap: The Lost B Movies of Film Noir 0.63. Book. Seller Inventory # BBS-9780306809965
Book Description Softcover. Condition: New. 2nd. Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story linesabout con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglectedlost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap. Seller Inventory # DADAX0306809966
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