Elise Paschen is the author of Infidelities (Story Line, 1996), winner of the Nicholas Roerich Poetry Prize, and Houses: Coasts (Oxford: Sycamore Press, 1985). Her work has been published in magazines such as Poetry Magazine, The New Yorker, The New Republic, and The Nation and in numerous anthologies including Reinventing the Enemy's Lannguage and A Formal Feeling Comes: Poems in Form by Contemporary Women. Former Executive Director of the Poetry Society of America (from 1988-2000) and co-editor of Poetry in Motion (Norton, 1996), she teaches in the Writing Program at The School of the Art Institute of Chicago. Currently she is a Frances Allen Fellow at The Newberry Library. She lives in Chicago with her husband and daughter.
Rebekah Presson Mosby interviewed more than 350 contemporary poets and writers as the host and producer of the syndicated radio literature series New Letters on the Air from 1983-1995. Since 1987, she has filed 140 art news features and six one-half hour documentaries as a freelance reporter for National Public Radio. She also free-ances as a producer/editor for Rhino Records. Her Rhino titles include the multi-disc audio anthologies In Their Own Voices: A Century of Recorded Poetry (1996) and Our Souls Have Grown Deep Like the Rivers: Black Poets Read Their Work (2000).
The distinction between book and audiobook vanishes in this fine compilation of readings by 42 nineteenth- and twentieth-century poets, narrated by CBS newscaster Charles Osgood, and accompanied by a biography, text of the poems read and additional poems by each poet, and a critical essay by a noted living poet. The historical recordings of Tennyson, Browning, and Whitman, captured on wax cylinders by Edison in the 1890s, are curiosities, both for technical quality and oratorical style. But one of the delights of this chronological progression (by birth date) of poets is the evolution of reading styles, from the orotund to the naturalistic, with many sublime anomalies. Who would have suspected that Edna St. Vincent Millay would sound as histrionic as she does--while Dorothy Parker sounds exactly, exactly, like the voice in her poems. Osgood's narration may be a bit too dulcet for many of these poets and their poems, but editors Paschen and Mosby and series editor Dominique Raccah, working with advisory editors Robert Pinsky, Rita Dove, and Dana Gioia, have achieved a selection, content, and level of visual and sound quality that will make this a standard resource for schools and libraries, as well as for the devoted lover of poetry. D.A.W. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine