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It's an ambitious project to say the least, and the movie business is probably too complex a subject to sum up in 350-plus pages. Often a reader can start a chapter, purportedly on one topic, and find themselves completely off the grid--or at least buried under a lot of words--a few pages later. Like that favorite uncle, Thomson isn't necessarily quick to make his point, nor afraid of straying from his main subject. Nevertheless, many parts of the book are enjoyable and valuable--particularly for those who really want to learn about the history of American filmmaking, and wouldn't mind finding out what Brando got paid for Last Tango in Paris in the process. --Leah Weathersby
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