From the Back Cover:
“Extraordinary . . . Throughout, the writer’s evocations of Goya’s work are not just intensely visual but virtually audible . . . Blackburn writes to startling effect.” —The New York Times
“[Blackburn’s] real talent is in conjuring up lives . . . You have the uncanny sensation that you have met Goya, felt his honest horny hands, watched him work.” —The Economist
“[Blackburn’s] rare imagination and profound intelligence . . . carry her into the mind and the work of Francisco de Goya . . . Each image, exquisite in its plainness, draws us first into the landscape, then into the past, a process Blackburn repeats until we are mesmerized.” —The Boston Globe
“[A] singular, empathetic homage....Blackburn's attempt to see with Goya's eyes...is most successful and moving. . . .She writes like a painter of still lives.” —The Observer (London)
“Blackburn’s prose is elegant and precise, illuminated by intelligence, curiosity, and a refined visual sense . . . [She] beautifully conveys the changed reality of the newly deaf painter.” —Literary Review
From the Trade Paperback edition.
About the Author:
Julia Blackburn is the author of three books of nonfiction, Charles Waterson, The Emperor’s Last Island, and Daisy Bates in the Desert, and of two novels, The Book of Color and The Leper’s Companions, both of which were shortlisted for the Orange Prize. She lives in England.
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