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Krasikov, Sana The Patriots: A Novel ISBN 13: 9780385524421

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A sweeping multigenerational novel about idealism, betrayal, and family secrets set in the U.S. and Russia, from one of Granta’s Best of Young American Novelists

When the Great Depression hits, Florence Fein leaves Brooklyn College for a job in Moscow—and the promise of love and independence. But once in Russia, she quickly becomes entangled in a country she can’t escape. Many years later, Florence’s son, Julian, immigrates back to the United States, though his work in the oil industry takes him on frequent visits to Moscow. When he learns that Florence’s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny—trying to make his fortune in Putin’s cutthroat Russia—to return home. What Julian discovers is both chilling and heartbreaking: an untold story of a generation of Americans abandoned by their country, and the secret history of two rival nations colluding under the cover of enmity.

The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence’s and Julian’s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.

Praise for The Patriots

The Patriots is a historical romance in the old style: multigenerational, multi-narrative, intercontinental, laden with back stories and historical research, moving between scrupulous detail and sweeping panoramas, the first-person voice and a kaleidoscopic third, melodrama and satire, Cleveland in 1933 and Moscow in 2008.”—Nathaniel Rich, The New York Times Book Review

“Dazzling and addictive . . . an outstanding family saga.”The Spectator (U.K.)

“Extraordinary . . . The Patriots has the weight of a classic."—Commentary Magazine

“I found on every page an observation so acute, a sentence of such truth and shining detail, that it demanded re-reading for the sheer pleasure of it. The Patriots has convinced me that Krasikov belongs among the totemic young writers of her era.”—Khaled Hosseini, author of And the Mountains Echoed and The Kite Runner

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About the Author:
Sana Krasikov’s debut short story collection, One More Year, was named a finalist for the 2009 Hemingway Foundation/PEN Award and the New York Public Library’s Young Lions Fiction Award, received a National Book Foundation 5 Under 35 Award, and won the 2009 Sami Rohr Prize for Jewish Literature. Her stories have appeared in The New Yorker and The Atlantic, among other publications. Born in Ukraine, Krasikov grew up in the former Soviet republic of Georgia and New York, where she currently lives with her husband and their two children.
Excerpt. © Reprinted by permission. All rights reserved.:

QUALITATIVE LEAPS

 

Breaking your own family’s heart is the price you pay for rescuing your own. Florence had committed herself to this credo, letting it carry her through the cruelty of the past six weeks—so that she was surprised, on the upper deck of the Bremen, to feel her faith recede. From under her narrow palm she gazed down at the people crowding the dock. A May sun accosted the harbor and coated everything with a blinding shine. The air smelled of coal and rotted fish. Small green waves raced from the hull back to the pier, where her parents and her little brother stood squeezed in among strangers. She would have shouted out to them but knew her voice could not carry over the screeches of gulls and the intermittent bassoon of the ship’s tremendous whistle.

Only after she’d bought her ticket had Florence told her parents she was leaving. Then she braced herself for the family volcano.

“Cleveland was not enough!” Her father’s shouts had rattled their Flat- bush living room. “Russia! You want to go where they’re shooting people dead for eating their own grain?”

She’d fought back. “No one who’s traveled there ever reported seeing any such thing.”

He turned to her mother. “Never reported! They’re being duped, Florie. And you’re being duped.”

 

“Sure, and the factories are only burning straw to make smoke come out the chimneys?”

“You think I’m such a dummy that I don’t know what kind of hood- winked world my own father left. A young person such as yourself, ripe for recruitment . . .”

“No one has recruited me!”

But his eyes were wild with lunatic distrust. “Let me see your Party card!”

“I don’t have one!” she shouted, her voice caving from tears. “For Pete’s sake, I am not a communist!”

“Then why, Florie? Just tell me why. What kind of madness is this, for a girl to want to leave her family, her home, all the people who love her? To the other end of the world!”

She could not tell him the truth. Could not show him the photograph of the dark-eyed man with the Apache cheeks, tucked in the back of her dresser drawer. Better they think her a communist than a nafka. “I am not leaving forever, Papa!” she said in a voice hoarse from shouting.

“Then tell us how long?”

“I can’t tell you. A year, maybe more.”

“And throw away another year of your life?” “I want to live my life.”

“Go, then! I’ve had enough of you,” her father said. “May the day never come when you feel the pain we feel now.”

Despite their threats, her parents had come to see her off. Her mother gave Florence her own fur coat to brave the snowy Russian winter. Her father bought her a traveler’s trunk. They stood watching as it was tossed by a ship’s attendant into the hold, where it took on the size of a matchbox beside all the other cargo—enormous boxes and barrels, chrome automobiles, upright pianos. Her brother Sidney had given her his beloved BSA Taylor compass, whose cold beveled edges Florence now dug with torturous pleasure into the soft flesh of her thumb. She’d discovered it in her purse only after she boarded the ship. She wanted to walk off the boat and give it back to Sidney, whose muskrat’s hard hat of hair was still visible in flashes among the bodies on the dock. But it was too late; the third-class passengers were boarding, blocking the gangway with awkward bundles. Danes, Poles, Germans, stocky in their winter overcoats and rubber boots. With their American children in tow, they were returning to their homelands in search of work. Observing them trudge aboard, Florence suddenly felt she was watching an old Ellis Island film reel flipped by the Depression into reverse: masses of immigrants returning to the ship, being herded backward through that great human warehouse as Lady Liberty waved them goodbye.

Her reverie was interrupted by an argument on deck. Somebody was demanding to carry a poultry incubator aboard ship rather than abandon it to the hold. Into the fray came the noises of a hen cock crowing in defiance of the third steamer signal. Taking advantage of the clamor and tumult, one of the Poles was making the rounds with a collection box. When he saw a tall, handsome girl in a tailored green suit, he mistook Florence for a wealthy young lady and approached her with a heavily accented speech about penniless deportees. It was impossible to hear the story in the flapping of ropes and echoes from port. She thought she heard her name being called—her father’s voice a hallucination conjured by the wind’s eddies. Florence opened her purse and gave the man a coin.

She felt ready for the ship to cast off, but a fresh commotion had seized the crowd. On the gangway ramp, a girl of about eighteen had dropped her glasses and was now palming around for them, interrupting her search only to toss angry defenses at those she was holding up behind. In her myopic squint Florence recognized the feral defiance of someone who’d learned to carry her awkwardness brazenly. A girl accustomed to being out of place. But it was her physical appearance that most struck Florence. The girl might have been Florence herself—younger, shorter, and plumper, but otherwise bearing an almost familial likeness. Her skin was equally pale; her curls, only slightly darker than Florence’s, had the strong kink that Florence had learned to tame out of her own hair with relaxers and combs. Someone from the boat was sent to help the girl, and soon her spectacles were retrieved from between the gangplanks. The commotion was drowned out again by a final signal from the ship’s heights. The chimneys belched coal smoke, and the engines of the tugboats began to turn. At last the Bremen made its imperceptible slide backward into the Hudson.

A flock of gulls with black-edged wings circled the ship as it churned and split the water. Slowly by slowly the crowd on the pier receded, her family along with them. Only the gulls stayed close. Trailing the Bremen, they rose and fell on a tunnel of air which seemed to propel the ship and everyone on it down a course that stretched irreversibly into a bright, portentous sea.

The following morning the sun’s rays were unobstructed by any buildings or trees. An ocean chill drew bumps on Florence’s arms as she sat on a lounge chair in the scalloped shade of an awning. She drew on her round sunglasses and attempted to read a book she’d brought for the journey: Red Virtue: Human Relationships in the New Russia by Ella Winter. Winter’s prose was making it hard to get past page 2. And another human relationship was presently competing for her attention: on the top deck, in first class, a tall madam with sunken cheeks and a greyhound’s ropy body was promenading on the arm of a much younger, darker-skinned gentleman. The man’s hair was gelled back like Valentino’s. His spine stayed rigid with military aplomb even as his companion petted his shoulder and brushed his ear with her thin lips.

“So—what do you make of her?”

Florence turned to find the girl she’d seen the day before. Her tortoise-shell glasses were now affixed firmly on the short bridge of her nose. Atop her curly head a woven beret was tipped at a precarious angle.

“Pardon me?”

“Ella Winter. Your book. Another phony Margaret Mead, if you ask me.”

Florence frowned and took a glance at the cover.

“It must have been real disappointing for her to discover her Russians weren’t illiterate savages like the Samoans,” the girl resumed with no preliminaries.

“Have you read it?” Florence said mistrustfully.

“I read all I needed to in the essay they printed in The American. They’ll print any so-called scholarship as long as it’s penned by Mrs. Lincoln Steffens. You like it?”

It wasn’t a question so much as a preemptive dismissal of her tastes, and therefore, Florence decided, undeserving of a response. In fact, the book was astonishingly dull. Yet this odd girl’s exuberant abrasiveness now

 

compelled Florence to defend it. “And what about Dorothy Thompson— you won’t read her, either, ’cause she’s Mrs. Sinclair Lewis?”

“What kind of false comparison is that?” The girl plopped down on the neighboring lounge chair. “Thompson’s queen of the press corps. Winter is just another suffragette born twenty years too late.”

The girl’s eyes—as blue as Florence’s own—glowed with a lust for de- bate that Florence found all the more irritating having once had it in good measure. She sensed that entering into a conversation with this creature would return her to a version of herself that she had struggled to shed. In high school and college Florence had earned good marks but a part of her knew that the educators she admired did not admire her back. Her history teacher once applauded her to other students as being the kind of girl “who could chop down an oak with a baseball bat.” She cringed to think how tone deaf she’d been to this double-edged praise.

“Why a suffragette?” she now inquired with careful nonchalance. “The place of the working-class woman is beside the men of her class, not beside women of other classes. It’s basic Marx, if she’d ever bothered to crack him.”

“If you’d bothered to crack her, you’d see she acknowledges that Marx claims it’s only true for societies that haven’t eliminated class. Anyway, I’m not reading it for the theory.”

“I knew it! You’re heading to Russia, like me.” The girl jutted out her hand. “Essie Frank.”

“Florence Fein.”

In less than a minute, Florence was assailed by an artillery of questions. Which class was she traveling? Where was she from? Where had she gone to school? Where did she plan to stay once she arrived in Moscow?

“The Intourist Hotel?” Essie sounded horrified. “They’ll fleece you. They overcharge all foreigners.” Essie, evidently, would be lodging at a workers’ dormitory at the Foreign Language Institute, where she already had a job lined up.

“I’m only staying in Moscow till I can get a ticket for Magnitogorsk,” Florence said, in a way she hoped both sounded mysterious and discouraging of further inquiry. The Bremen was making stops in Copenhagen, Danzig, and Libau, and Florence had yet to meet anyone who, like her, was disembarking in Latvia and taking the train to Moscow. Judging by her talk, Essie had undertaken the journey with more preparation, carrying extra passport photographs as well as items to trade or gift. Her prepared- ness felt like a challenge to Florence’s faith in the future. “Magnitogorsk, all the way out in the Urals!” Essie said, either impressed by Florence’s bravery or stunned by her foolhardiness. “Have you got a job there or something?”

Florence was uncertain how to answer. She was hardly sure herself what dream she was pursuing: one of Soviet Mankind, or of one particular dark-eyed Soviet man.

At that moment, a coterie of passengers from steerage emerged on deck. One of the men waved to Essie.

“Is that your group over there?” Florence said.

Essie seemed embarrassed. “No, no, I’m not really with them. . . .” Having intruded on Florence’s privacy, Essie now seemed to be jealously patrolling her own. “See, there was a vacancy, and, last minute, I got the ticket on the cheap. . . . They’re all getting off at Danzig.”

“Oh.” Florence turned her gaze back to the couple in first class. The greyhound in her silk pajamas was arching her long torso in a swooning laugh, while her tanned and ascotted paramour clutched her waist as if to keep her from throwing out her back. “It’s like they’re posing for pictures,” Florence remarked.

“And wouldn’t you know it’s the press she’s trying to escape,” Essie said unexpectedly.

“You know who she is?”

“Everyone on this steamer knows it. It’s Mary Woolford, the utilities heiress, and that’s her new Alfonse, an Argentine polo player of legendary prowess. Oh, don’t look so shocked; he’s far too dark to be American. He’s husband número tres for her.”

Florence was shocked, not at the shade of the new husband’s skin but at Essie’s superior command of ship gossip. “Look, she just fixed his shirt again.”

“I hope she doesn’t get it greasy after touching his hair,” Essie quipped. “Ick!” they sang in unison, and nearly choked laughing.

“You know what they say,” Essie said. “ ‘From the back a damsel fair, from the front a wrinkled mare.’ ”

“Well, he does like ponies,” Florence said, before a second convulsion of laughter made the two of them collapse, red-faced, in their chairs. Essie removed her glasses and wiped her eyes, and Florence now found herself battling the powerful sensation of feeling won over by this girl, whose dimples looked like they’d been poked out with a gimlet.

“Don’t look now,” Essie said, grabbing Florence’s wrist, “but there’s a couple of Joe Colleges about to waltz over.”

Florence glanced back and recognized two young men in cable sweaters who’d been circling the deck since breakfast time. “More like Joe Grammar School,” she said, then stretched her legs for an extra precious inch of sun, letting the boys get a good look. The two young men consulted each other quietly before making their approach.

“We don’t mean to lean into your conversation, girls,” said the shorter of the two. He had a large-eared, cheerful face. “But my friend was convinced you were Norma Shearer.”

It wasn’t the first time a boy had made the comparison. On her good days, Florence could notice the similarity in the mirror: her deep-set blue- gray eyes, the aquiline profile people called “regal,” features that hovered somewhere between innocence and arrogance. “I’ll be Al Jolson if you want, darling,” she said, “as long as you have a Lucky. We’re all out of smokes, as you see.” On the courage of the sea air, she sounded like a hardened flirt.

The young man turned out his pockets. “Sorry, Miss Shearer, no gaspers before tournaments, coach’s orders. But we could bring you some desert horses from the restaurant. . . .”

And so they did. They said their names were Jack and Brian and they were traveling to Germany with the New Haven Tennis Club, as guests of the Rot-Weiss Tennis Club. With her nail, Florence opened the pack of Camels they’d brought and shared one with Essie.

“Russia! That’s really jumping the blinds,” said Brian when they told him where they were heading. “Off to build the Red Paradise?”

“As a matter of fact,” Essie remarked unplayfully.

The boys gave her a confused smile and turned again to Florence. Whenever Essie opened her mouth, Florence noted, it was plain to see how inadequate she was at saying anything that might hold a man’s attention. Soon the boys had to go to practice (somewhere in the ship’s labyrinth was a full-sized tennis court), but they asked if the girls would join the team for a drink after dinner. “If it isn’t past our bedtimes,” Florence said, waving them goodbye with a cigarette between her fingers.

That evening, after the second dinner bell, Florence met Essie in the carpeted hallway outside the Kronprinz Lounge. She took a look at Essie’s skirt, and at her shoes, and said, “Come with me.”

From the lower berth in Florence’s cabin, Essie looked around with un- disguised envy. “You’ve got this all to yourself ?”

“They don’t normally sell out of second-class tickets. What’s your shoe size?”<...

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  • PublisherRandom House
  • Publication date2017
  • ISBN 10 0385524420
  • ISBN 13 9780385524421
  • BindingPaperback
  • Number of pages576
  • Rating

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Book Description Paperback. Condition: new. Paperback. A sweeping multigenerational novel about idealism, betrayal, and family secrets set in the U.S. and Russia, from one of Grantas Best of Young American NovelistsWhen the Great Depression hits, Florence Fein leaves Brooklyn College for a job in Moscowand the promise of love and independence. But once in Russia, she quickly becomes entangled in a country she cant escape. Many years later, Florences son, Julian, immigrates back to the United States, though his work in the oil industry takes him on frequent visits to Moscow. When he learns that Florences KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lennytrying to make his fortune in Putins cutthroat Russiato return home. What Julian discovers is both chilling and heartbreaking: an untold story of a generation of Americans abandoned by their country, and the secret history of two rival nations colluding under the cover of enmity. The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florences and Julians perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another. Praise for The PatriotsThe Patriots is a historical romance in the old style: multigenerational, multi-narrative, intercontinental, laden with back stories and historical research, moving between scrupulous detail and sweeping panoramas, the first-person voice and a kaleidoscopic third, melodrama and satire, Cleveland in 1933 and Moscow in 2008.Nathaniel Rich, The New York Times Book ReviewDazzling and addictive . . . an outstanding family saga.The Spectator (U.K.)Extraordinary . . . The Patriots has the weight of a classic."Commentary Magazine I found on every page an observation so acute, a sentence of such truth and shining detail, that it demanded re-reading for the sheer pleasure of it. The Patriots has convinced me that Krasikov belongs among the totemic young writers of her era.Khaled Hosseini, author of And the Mountains Echoed and The Kite Runner Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780385524421

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