Review:
A precise, understated gem of a first novel, Julie Otsuka's When the Emperor Was Divine tells one Japanese American family's story of internment in a Utah enemy alien camp during World War II. We never learn the names of the young boy and girl who were forced to leave their Berkeley home in 1942 and spend over three years in a dusty, barren desert camp with their mother. Occasional, heavily censored letters arrive from their father, who had been taken from their house in his slippers by the FBI one night and was being held in New Mexico, his fate uncertain. But even after the war, when they have been reunited and are putting their stripped, vandalized house back together, the family can never regain its pre-war happiness. Broken by circumstance and prejudice, they will continue to pay, in large and small ways, for the shape of their eyes. When the Emperor Was Divine is written in deceptively tranquil prose, a distillation of injustice, anger, and poetry; a notable debut. --Regina Marler
From the Back Cover:
“Exceptional. . . . Otsuka skillfully dramatizes a world suddenly foreign. . . . [Her] incantatory, unsentimental prose is the book’s greatest strength.” –The New Yorker
“Spare, incisive. . . . The mood of the novel tensely reflects the protagonists’ emotional state: calm surfaces above, turmoil just beneath.” –Boston Globe
“A timely examination of mass hysteria in troubled times. . . . Otsuka combines interesting facts and tragic emotions with a steady, pragmatic hand.”–The Oregonian
“Prose so cool and precise that it’s impossible not to believe what [Otsuka] tells us or to see clearly what she wants us to see. . . . A gem of a book and one of the most vivid history lessons you’ll ever learn.” –USA Today
“With a matter-of-fact brilliance, and a poise as prominent in the protagonist as it is in the writing, When the Emperor Was Divine is a novel about loyalty, about identity, and about being other in America during uncertain times.” –Nathan Englander, author of For the Relief of Unbearable Urges
“Shockingly brilliant. . . . it will make you gasp . . . Undoubtedly one of the most effective, memorable books to deal with the internment crisis . . . The maturity of Otsuka’s. . . prose is astonishing.” — The Bloomsbury Review
“The novel’s voice is as hushed as a whisper. . . . An exquisite debut. . . potent, spare, crystalline.” –O, The Oprah Magazine
“At once delicately poetic and unstintingly unsentimental.” --St. Petersburg Times
“Heartbreaking, bracingly unsentimental. . . .rais[es] the specter of wartime injustice in bone-chilling fashion. . . . The novel’s honesty and matter-of-fact tone in the face of inconceivable injustice are the source of its power. . . . Dazzling.” –Publishers Weekly
“Otsuka . . . demonstrates a breathtaking restraint and delicacy throughout this supple and devastating first novel .” –Booklist
“Spare yet poignant. . . . clear, elegant prose.” –Library Journal
“Her voice never falters, equally adept at capturing horrific necessity and accidental beauty. Her unsung prisoners of war contend with multiple front lines, and enemies who wear the faces of neighbors and friends. It only takes a few pages to join their cause, but by the time you finish this exceptional debut, you will recognize that their struggle has always been yours.” –Colson Whitehead, author of John Henry Days
“Heartbreaking. . . . A crystalline account.” –The Seattle Post-Intelligencer
From the Trade Paperback edition.
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