Writing and Being - Softcover

Nadine Gordimer, winner of the Nobel Prize for Literature and a number of other major literary prizes, is the author of nine collections of stories and eleven novels, most recently None to Accompany Me. She lives in South Africa.

A satisfying and redemptive book. The opening and closing [essays] frame her discussions of South African writers of the 'Age of Revolution' and of three novelists--Naguib Mahfouz, Amos Oz, and Chinua Achebe--who constitute a company of writers who arrive at 'the Forgotten Promised Land where their peoples could appease an embittered history.' (Maureen Howard Nation)

A list of the best writing on writing would have to include [this] beautiful book...[It is] true criticism, which means it is a work of art. [Writing and Being] overflows with music that could melt the stars. (James Hepworth Bloomsbury Review)

Her own experiences as a South African writer in protest against her country's situation...are among the best [pages] she has ever written. In fact what she says about herself as a young writer...affirms the greatness and importance of her own work as artist and citizen...This book is a wonderful document of the human spirit at its most attractive and serious. (Edward Said Times Literary Supplement)

Gordimer's key concern in these six essays is the relationship between experience and fiction, how truth can be achieved despite the confines of place and politics. The major part of the book is given over to examinations of three writers whom Gordimer considers to have transcended the boundaries of their experience precisely by concentrating on issues of race, country and religion: Naguib Mahfouz, Chinua Achebe and Amos Oz. Intelligent and impassioned though these studies are, it is Gordimer's two essays on the nature of her own fictional enterprise which really excite, and her description of an intellectual journey from childhood in a small gold-mining town to becoming one of the most eloquent voices in the fight against apartheid. (The Observer)

Gordimer's addresses cover a variety of themes and topics, all examined with the fierce honesty that has come to be expected of her. (Washington Post Book World)

[A] beautifully written short collection. (Gerald De Groot Jewish Chronicle)

Gordimer has much to tell us about the art of fiction and the art of life...She is unfailingly interesting on the mysterious process that both turns 'real' life into fiction and then breathes new life into it as language on the page...These lectures, like her novels and stories, are not about 'protest'. What they are is work that is itself so gloriously free that it shows up unfreedom by its sheer joy. Gordimer is a writer of courage, as well as one of natural gifts, and she deserves the compliment of clear, attentive, unpatronising reading by all who care to read books for themselves. (Robert Nye Scotsman)

Nadine Gordimer offers a compelling and insightful narrative of the emergence of her postcolonial identity and her new sense of national belonging. As such, she offers more food for thought on her favourite subject: the healing mysteries of writing and being in South Africa. (Daryl Lee Oxford Quarterly Review)

Nobel laureate Gordimer, musing on the links between life and literature, offers some fascinating personal reflections as well as thoughts on fellow writers in South Africa and other countries...She offers sympathetic, close readings of the works of writers Naguib Mahfouz, Chinua Achebe and Amos Oz--'the Arab, the African, the Jew.' She concludes her brief book by reflecting on her own road to politics and literature. (Publishers Weekly)

[Gordimer] offers crisp and richly allusive explorations of the tensions between a writer's art and the realities of life...A well-argued brief for writers and writing to which Gordimer's South African experience adds a unique perspective. (Kirkus Reviews)