Dark Back of Time - Hardcover

Javier Marias is an award-winning Spanish novelist. He is also a translator and columnist, as well as the current king of Redonda. He was born in Madrid in 1951 and published his first novel at the age of nineteen. He has held academic posts in Spain, the US (he was a visiting professor at Wellesley College) and Britain, as a lecturer in Spanish Literature at Oxford University. He has been translated into 34 languages, and more than six million copies of his books have been sold worldwide. In 1997 he won the Nelly Sachs Award; the Comunidad de Madrid award in 1998; in 2000 the Grinzane Cavour Award, the Alberto Moravia Prize, and the Dublin IMPAC Award. He also won the Spanish National Translation Award in 1979 for his translation of Tristram Shandy in 1979. He was a professor at Oxford University and the Complutense of Madrid. He currently lives in Madrid.

Esther Allen has translated Javier Marias, Jorge Luis Borges, Felisberto Hernandez, Flaubert, Rosario Castellanos, Blaise Cendrars, Marie Darrieussecq, and Jose Marti. She is currently a professor at Baruch College (CUNY) and has directed the work of the PEN Translation Fund since its founding in 2003. Allen has received a Fulbright Grant (1989), a National Endowment for the Arts Translation Fellowship (1995), and was named a Chevalier of the Order of Arts and Letters (2006).

The Spanish novelist Javier Mar¡as has the ability, which he shares with Italo Calvino, to turn a metaphysical insight into a novelistic adventure. In his latest book, Mar¡as employs the old gambit of a novel within a novel, but the radical twist is that the novel on the inside is one of Mar¡as's real, previous novels All Souls. All Souls revolved around various fictitious and nonfictitious Oxford personalities, and was inspired by Mar¡as's temporary teaching position at the university in the early '80s. In the present novel, Mar¡as learns, to his dismay, that various factual Oxford personages upon whom various fictional personages were based are taking over his novel, in effect, by extrapolating fictitious facts from partial facts that were embedded in the original fiction. For instance, the fictitious narrator of All Souls has an affair with a married woman, Clare Bayes. This is translated, in the Oxford community, as proof that the real Mar¡as had a real affair with a woman at Oxford, who is variously identified. Other misidentifications and misreadings follow. In one of the funniest scenes, Mar¡as returns to an antiquarian bookstore in Oxford and finds that the couple who own it, the Stones, not only identify with the bookstore-owning Alabasters in his novel, but want to play them in the film version of the book. Meanwhile, the film, in a final turn of the screw, turns out to be a complete distortion of the novel. The second half of this novel is a virtuoso digression on the seedily adventurous circle around a minor British poet and Oxford figure, Gawsworth. Mar¡as has an antiquarian's taste for history's minor characters, in whose lives fact flows easily into fiction and back again.

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