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As with Rachman’s 2010 newsroom novel The Imperfectionists, it’s a testament to the credibility of the narrative that you feel he may be writing about real people, thinly disguised as fiction. But in The Italian Teacher, Rachman is a more likeable storyteller: his social satire seems more thoroughly tempered by sympathy and a longer perspective. Lately, a number of excellent novels have focused on the impact of a single painting (The Goldfinch; The Painted Kiss; The Fortunate Ones, to name a few). The Italian Teacher looks at art with a less reverential slant, and asks intriguing questions, along the way, about the costs, and value, of the artistic life. If you enjoyed William Boyd’s Any Human Heart, you’ll love Rachman’s portrait of Pinch, who has the good luck to both outlive and survive his famous father, and to find, in the end, a way to take ownership of his difficult legacy. —Sarah Harrison Smith, Amazon Book Review
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