In 1880, Charles M. Russell headed west to Montana, where he worked as a wrangler and chronicled in paint, ink, and watercolor the West and its people. For his splendid depictions of bronco riders, roundups, and everyday ranch life, Russell soon became known as "the Cowboy Artist." Yet this "Cowboy Artist" also spent much time among the Indians and developed a sympathetic understanding of and appreciation for their efforts to preserve their way of life. Russell’s memorable paintings and drawings portray a frontier that was vanishing, not only for Indians but also for cowboys.
Peter H. Hassrick discusses Russell’s work in the context of the artist’s experiences in the West and the people who influenced his artistic style.
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For his splendid depictions of bronco riders, roundups, and everyday ranch life, Russell soon became known as "the Cowboy Artist." Yet this was a "Cowboy Artist" who also spent much time among the Indians and developed a sympathetic understanding and appreciation for their efforts to preserve their way of life. Russell's memorable paintings and drawings portray a frontier that was vanishing, not only for Indians but also for cowboys.
Peter H. Hassrick discusses Russell's work in the context of the artist's experiences in the West and the people who influenced his artistic style. Included are reproductions of a choice selection of Russell's paintings, drawings, and sculpture, each accompanied by a brief commentary.
Peter H. Hassrick is Director Emeritus and Senior Scholar at the Buffalo Bill Center of the West. He is the author, coauthor, or editor of many publications, including Frederic Remington: A Catalogue Raisonné II, Painted Journeys: The Art of John Mix Stanley, and In Contemporary Rhythm: The Art of Ernest L. Blumenschein.
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