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9780903880749: The Collected Poems of Kathleen Raine
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Since her first collection of poems published in 1943, Kathleen Raine has been writing a kind of mystical nature poetry all her own, a poetry immersed in the quiet air of solitude and imagination. Vita Sackville-West, writing in the Observer, spoke of her "curious purity": "Her poems are like drops of water, clear, self-contained, and sometimes iridescent with the elusive colors of mysticism". Collected Poems is the lifework of a visionary, a celebration of the miracles of nature and man's place among them. Now in her ninety-second year she has chosen this work from eleven published collections and from other uncollected and unpublished sources. The earliest poems were written in the mid-thirties, the latest in the late nineties.

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About the Author:
Kathleen Raine is both poet and scholar. She is an internationally respected critic of William Blake and W. B. Yeats and has won many literary awards including the Harriet Monroe Prize and the Edna St. Vincent Millay Prize from the American Poetry Society. She lives in London.
From Publishers Weekly:
Born in 1908, this serious and energetic British poet made her name in the Forties with ambitiously mystical verse much indebted to Dylan Thomas, William Blake and to South Asian religion. Since then, she has become known as a critic of Blake and of Yeats, and as the editor of her own Temenos Press. Now 92 years old, Raine (not to be confused with the better-known Craig Raine) has continued to publish one or two substantial volumes each decade, tirelessly devoted to more or less pantheistic or ecstatic mystical doctrines. Raine's early work and her late work, too can sound like a Blake pastiche, or like literal translations from the Sanskrit: "The center of the mandala is possibility/ Of incarnation " Nevertheless, her range and her craft expanded over the years. The '60s saw her take an interest in free verse and in natural landscapes, especially those of Italy and Scotland. On a Deserted Shore (1973) comprises 130 short numbered lyrics like this one: "Since smoke rose from your pyre/ All clouds are dear; but how/ Among those vague bright forms/ Yours shall I know?" These poems and others of the '70s and '80s come close to the mysticism of Yeats. While this book's inclusivity makes for off-putting repetition and far too many moments of bathos, Raine's work remains a sustained and honorable effort, and will certainly appeal to readers who seek seriousness of purpose in using poetry as a means of spiritual enlightenment. (Feb.)
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  • PublisherGolgonooza Press
  • Publication date2000
  • ISBN 10 0903880741
  • ISBN 13 9780903880749
  • BindingHardcover
  • Edition number1
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Kathleen Raine
Published by Golgonooza Press (2000)
ISBN 10: 0903880741 ISBN 13: 9780903880749
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Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A very handsomely produced book, with the zingy green boards and blue spinal lozenge particularly worthy of admiration. Well-bound, very well laid out, printed on good quality paper, with tactile blue endpapers: 368 pages devoted to Kathleen Raine's choice of her work from across six decades, 16 pages of prelims including a notably good foreword by Kathleen Raine in which she sets out the principles behind her selection and states how she would wish to be judged. "Believing as I do, with my Master, William Blake, that 'One Power alone makes a poet - Imagination, The Divine Vision'; and with Yeats sharing his respect for the Vedic and Upanishadic tradition for which, as he saw them in Tagore, 'poetry and religion are the same thing', it is in the light of this perennial wisdom that I would wish my work to be judged. Better to be a little fish in the great ocean than to be a big fish in some literary rock-pool." The book itself is in very good condition, and feels unread, to judge by the beautiful little de-clicking sound made (just as a test) by some of the pages as they are turned. Unread despite (or possibly because of) its once having been given as a gift, as an inscription on the front free endpaper indicates. There's some minor marks of shelfwear and handling, such as a little bit of rubbing and pressure at the corners and the top and bottom of the spine. Along the bottom of the pages, along their very outer edge when they are viewed as a block, is a mysterious thin straight pencil line which veers off to one side, about halfway across. This doesn't affect the text. All in all, this is a very nice book. The publishers Golgonooza did Raine proud. Seller Inventory # 1024

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