American cinema, as we've known it since The Godfather, would be impossible to reimagine without Al Pacino. As Michael Corleone he breathes life into an American of epic dimension. His characters may explode (Tony Montana in Scarface), or be paragons of calm and cunning (the journalist in The Insider), but his extraordinary eyes do the real talking. As a rival says of Tony Montana, "There is no lying in him," and this is equally true of Pacino. Good or evil, he is at all times a man to be trusted, impossible to ignore, a magnet for our continuing attention.
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About the editor:
Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series.
About the author:
F. X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F. X. has also written TASCHENs Michael Mann and Polanski.
"About this title" may belong to another edition of this title.
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