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Publication Date: 1843
Seller: theoldmapman, Weston super Mare, United Kingdom
Art / Print / Poster
Single sheet. UNCOLOURED. Original antique aquatint in the picturesque style. First printed in 1824 as - Forty-eight aquatint colored engravings of landscape scenery, principally views in and near Bath. Print has been trimmed to the plate mark but margins are more than adequate for framing and corner glue marks verso show it has been mounted before. 28 x 23 cm.
Seller: BeebyBooks, Liverpool, United Kingdom
Art / Print / Poster
Condition: Used. . ORIGINAL HAND COLOURED AQUATINT RECENTLY REMOVED FROM:. ACKERMANN'S "REPOSITORY OF ARTS.". . Plate 26, Vol. XII, May 1821. "VIEW OF THE CASTLE OF SPIEZ". COMES WITH 2 PAGES OF DESCRIPTIVE TEXT - Picturesque Tour of The Oberland in the Canton of Berne. - Dimensions: Page - 24cm x 14cm approx - *Genuine antique item - almost 200 years old. Not a copy*. CONDITION: Good - please exam images. Please see my other Ackermann aquatints of The Oberland.DELIVERY: First Class/Airmail Worldwide in polypropolene acid free bag and board backed envelope with additional board stiffening . PLEASE NOTE: All items are shipped Royal Mail UK First Class/Airmail, within 24 hours - usually the same day. Royal Mail Delivery Aims are as follows:. UK First Class - 1-2 days, normally next day, not guaranteed, may take longer. Airmail - 3-5 working days, not guaranteed, may take longer. . Please scroll down for Shipping Prices. . Additional Ackermann prints ship free. PAY SHIPPING ON THE FIRST PRINT ONLY GUARANTEE. Comprehensive cover is included up to the value of £39. Other options are available if insurance is required for items valued above £39. Money back guarantee if not completely satisfied. SHIPPING . UK First Class £1.25 - insured up to the value of £39 (Royal Mail Special Delivery £5.70 includes guaranteed delivery next day by 1pm and compensation up to the value of £500). . EUROPE - £2.00 . REST OF WORLD - £2.50. (Airsure £8.00 includes compensation up to the value of £500). PAY SHIPPING ON THE FIRST PLATE ONLY Items usually shipped within 24 hours - Items paid for on a Friday may not ship until the following Monday If you have any questions, please ask.
Publication Date: 1826
Seller: theoldmapman, Weston super Mare, United Kingdom
Art / Print / Poster
Single print. The Seat of The Earl of Egmont. A fine original antique aquatint print. Image area 185 x 110 mm plus title. 31 x 21.5 cm.
Seller: Lindisfarne Prints, Shrewsbury, SHROP, United Kingdom
Art / Print / Poster
LEEDS CASTLEKentBy Samuel IrelandPublished, London 1793 by T & J Egerton for Picturesque Views on the River Medway from The Nore to the Vicinity of its source in Sussex with Observations on The Public Buildings & other Works of Art in its Neighbourgood A fine, original, sepia tinted antique aquatint. A fine impression with light marginal age toning , blank verso.Measuring approx. 6.5" x 4" ( 160mm x 100mm) image area only, with margins beyond. .A GENUINE ANTIQUE PRINT GUARANTEED OVER 200 YEARS OLD FROM LINDISFARNE PRINTS T45313.
Published by 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. An artist's proof aquatint with other modern printmaking methods by the artist Margaret E.Z. Levinson, depicting the village of Castle Combe, Wiltshire, England. Signed and inscribed. On wove. Size: Large (30-60cm) Framed: No Style: Realism.
Publication Date: 1808
Seller: theoldmapman, Weston super Mare, United Kingdom
Art / Print / Poster
Single print. London. Etching and aquatint. The south-west view of Little Dean's Yard, taken from an upper window at the Revd. Mr. Douglas's. View in the yard with the entrance to Westminster School on the left, the Abbey behind; illustration to the Antiquities of Westminster. 1808. Lettered below image with title followed by "This exhibits a part of Doctor Bell's house with its porch, said to be built by Inigo Jones, also the South entrance to the cloisters & the entrance to Westminster School with its porch & above it, in the middle, the South end of the school, shewing its line of direction to Westminster Abbey". At bottom left "This was Ashburnham House in which a portion of the Cottonian Library was destroyed by fire, October 23 1731". 34 x 29 cm.
Published by 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. Artist's Proof aquatint with etching depicting Castle Combe, Wiltshire. Signed and titled to the lower margin in pencil. Signed. On wove. Size: Large (30-60cm) Framed: No Style: Realism.
Published by 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. Artist's Proof aquatint with etching depicting Castle Combe, Wiltshire. Signed and titled to the lower margin in pencil. Signed. On wove. Size: Large (30-60cm) Framed: No Style: Realism.
Published by Early 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. Signed. On wove. Size: Medium (15-30cm) Framed: No Style: Realism.
Published by R Bowyer, 1805
Seller: Sheapast Art and Books, Sherman Oaks, CA, U.S.A.
Art / Print / Poster
No Binding. Condition: Good. Antique Aquatint hand colored 1805 from the series Loutherbourg's Scenery from a painting by Philip James de Loutherbourg (1740 - 1812) engraved by Clark and Pickett published by R Bowyer 9 1/8 x 12 1/2 ins with handwritten decorative 'name plate" reference "The Romantic and Picturesque Scenery of England and Wales By P J de Loutherbourg; 1805-1824. 18 coloured aquatints aquatinted by William Pickett and coloured by John Heaviside Clark" lovely image of the gateway to the castle on Britain's Isle of Wight. Â couple of marks in the sky portion of the print otherwise very good for ageÂ.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Coombe Abbey. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Warwick Castle. Published in 1795 for Samuel Ireland's Views on Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Clopton House. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Bidford Grange. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Guy's Cliff in Warwickshire. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating the entrance to Warwick Castle. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Ann Hathaway's House. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating the Ruins at Kenelworth. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating Stratford Bridge. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating a view of Bidford, Warwickshire. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating a view of Strensham in Worcestershire. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating a view of the Town of Warwick and Warwick Castle. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London, 1795
Seller: Rostron & Edwards, Shropshire, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Samuel Ireland (illustrator). A fine original antique sepia aquatint print illustrating a view of Newbold on Avon. Published in 1795 for Samuel Ireland's Views on the Upper, or Warwickshire, Avon. A scarce original print.Titled and dated 1795. Image size 16.5 x 11cm approx. Good condition. Ready to frame.
Published by London: Published by W Daniell Cleveland Street Fitzroy Square, 1823
Seller: Geoffrey Jackson, Royal Wootton Bassett, WILTS, United Kingdom
Art / Print / Poster First Edition
No Binding. Condition: Very Good. 1st Edition. A fine original aquatint and etching on paper illustrating a view of the Reculvers, the imposing twin towers of the medieval church at Reculver which dominate the skyline of Herne Bay, acting as a navigation marker for ships at sea. Illustration produced for 'A Voyage Around Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. Printed on J. Whatman watermarked paper with fine original hand colouring. Image size approx. 9" x 11" (23cm x 28cm) with margins. A generally VG bright impression with a few light marks which has excellent original hand colouring, with a small lightly embossed stamp to lower margin. William Daniell, (1769-1837) - A Voyage Round Great Britain' : In early 1813, Daniell conceived of the ambitious plan to travel around the entire coastline of Britain while producing an illustrated work of the voyage. ,In 1814, artist engraver William Daniell set out to record the people, places, towns and villages around Britain's coastline. Eleven years later he completed his magnum opus having travelled from Land's End to John 0'Groats via the west coast, then back to Land's End via the east.The result was a collection of 308 aquatint engravings, the last great artist's voyage before photography was invented. images all 9" x 11", William Daniell, an engraver and painter, belonged to a family of English artists. He was raised by his uncle, Thomas Daniell, a painter and engraver, lived with him in India from 1784-94, and worked with him on publications based on his travels. In 1795 he settled in London, where he remained for the rest of his life. He collaborated with Thomas on A Voyage Round Great Britain (1814-25). Daniell was a member of the Royal Academy and exhibited there from 1795 to 1838 This series was published in 8 volumes during the period 1814 to 1825. The journey was initially started in 1813 and was a joint project with William Daniell producing the drawings and William Ayton the text. This partnership lasted for the first two volumes, thereafter Daniell produced the text as well. The latter text relates to the plates and is relatively pedestrian, whereas Ayton used the voyage for his own agenda and sociological interests, his text is only loosely related to the plates and concentrates on the manners and customs of people he met.308 handcoloured aquatints. Thomas Sutton in The Daniells Artists and Travellers outlines the journey as follows: . . "During the summer of 1813 Ayton and Daniell surveyed the coast from Land's End up to Holyhead, where the first year's voyage closed near the middle of October (plates 1-26). The following year their journeys re commenced at Holyhead, at the beginning of August, and proceeded as far as Creetown or Dunsky Castle in Kircudbright. This at any rate, was the limit of Ayton's tour (plates 27-56). Daniell started off alone from Wigtown, early in the summer and finished his survey of the entire coast of Scotland, as far as Dundee, which he reached in October. This very lengthy tour was rendered possible by an exceptionally fine spell of weather (plates 57-195). Six years elapsed before Daniell commenced the further prosecution of his journey. Arriving at St. Andrews on August 4th, 1821, he surveyed the remaining portion of the Scottish coast, and the east coast of England as far as Southend, which he reached towards the end of September (plates 196-224). The following year he left Sheerness on July 28th, and explored the south coast as far as Torquay, whence he returned to London on September 27th (plates 225-277). The concluding tour, a comparatively short one, commenced from Torquay on Thursday, August 21st, 1823, and embraced the final portion of the south coast to Land's end, which was reached for the second time on September 14th (plates 278-308).
Published by London, 1809
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.
Art / Print / Poster
Condition: Fine. This originally hand-colored aquatint engraving is from Rudolph Ackermannâ s Repository of Arts, Literature, Commerce, Manufacturers, Fashions, and Politics. The work was published in London between 1809 and 1829. The work was sent in issues that featured color prints on various subject that provide insight into early 19th century upper class England. ---- The work is in excellent condition overall. There is occasionally some offset or faint imperfections to be expected with age.Excellent Condition. Some light offsetting. Please review the image carefully for condition and contact us with any questions. ---- Paper Size ~ 5 5/8" by 8 3/4".
Published by W. Daniell, London, 1823
Seller: Madoc Books (ABA-ILAB), Llandudno, CONWY, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Original hand coloured aquatint. Published by W. Daniell, Cleveland St. Fitzroy Square, Aug 1st, 1823, leaf 376*251 mm, Image 236*162 mm, from William Daniell;s - Voyage Round Great Britain. Tooley 177.233.
Published by W. Daniell, London, 1823
Seller: Madoc Books (ABA-ILAB), Llandudno, CONWY, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Original hand coloured aquatint. Published by W. Daniell, Cleveland St. Fitzroy Square, Aug 1st, 1823, leaf 369*262 mm, Image 238*162 mm, from William Daniell;s - Voyage Round Great Britain. Tooley 177.233.
Published by c. 1750, 1750
Seller: Pictura Prints, Art & Books, Overasselt, Netherlands
Art / Print / Poster
No binding. Condition: Very Good. etching / aquatint with hand colouring on hand laid (verge) paper. Sheet size: 16,2 x 11 cm. (6,4 x 4,3 inch). Image size: 15,5 x 10 cm. (6,1 x 3,9 inch).Source unknown, to be determined.Anonymous.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WATERFALL-CASTLE-HORSE-WHIP-CHURCHRBOS-A5-08.
Published by Early 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. A early 20th century Italian landscape scene with castle and church. Signed. On chine-collà . Size: Medium (15-30cm) Framed: No Style: Realism.
Published by Fulham: James Rouse., 1837
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Aquatint. 6 x 10 inches. C. Rosenburg, engraver.